At a time when what it means to watch movies keeps changing, this book offers a case study that rethinks the institutional, ideological, and cultural role of film exhibition, demonstrating that film exhibition can produce meaning in itself apart from the films being shown. Cinema Off Screen elaborates on the idea that cinema takes place off screen as much as on screen by explor...(展开全部)

In China on Screen, Chris Berry and Mary Farquhar, leaders in the field of Chinese film studies, explore more than one hundred years of Chinese cinema and nation. Providing new perspectives on key movements, themes, and filmmakers, Berry and Farquhar analyze the films of a variety of directors and actors, including Chen Kaige, Zhang Yimou, Hou Hsiao Hsien, Bruce Lee, Jackie ...(展开全部)

Long known as the world's factory, China is the largest manufacturing economy ever seen, accounting for more than 10% of global exports. China is also, of course, home to the largest workforce on the planet, the crucial element behind its staggering economic success. But who are China s workers who keep the machine running, and how is the labor process changing under economic r...(展开全部)

The advent of new media presents a serious challenge to our understanding of visual representation, of narrative and indeed the whole art of the moving image. New media forms are emerging in hypertext, multimedia, computer games, interactive broadcast and screen media. These are constantly redefining the relationship between story and text and between the creators of art and th...(展开全部)

Chinese society and culture changed dramatically with the end of Maoist socialism in the early 1980s. So did the everyday life of Chinese bodies. In Appetites Judith Farquhar shows how new forms of desire, pleasure, anxiety and curiosity emerged as capitalist reforms advanced. Though many have suggested that after decades of socialist collectivism people simply returned to thei...(展开全部)

Cinematic Guerrillas considers cinema’s meanings for revolution and nation building; successive generations of projectionists; workers, peasants, and soldiers; women and ethnic minorities; and national leaders, local cadres, and cultural censors. By reading diverse, vivid, and often surprising accounts of moviegoing, Li excavates Chinese media theories that provide a critical n...(展开全部)

In this capacious transnational film history, renowned scholar Masha Salazkina proposes a groundbreaking new framework for understanding the cinematic cultures of twentieth-century socialism. Taking as a point of departure the vast body of work screened at the Tashkent International Festival of Cinemas of Asia, Africa, and Latin America in the 1960s and 1970s, World Socialist C...(展开全部)

What role did cinema play in the Chinese Communist Party’s political project of shaping ideal socialist citizens in the early People’s Republic? In Moulding the Socialist Subject, Xiaoning Lu deploys case studies from popular film genres, movie star culture and rural film exhibition practices to argue that Chinese cinema in 1949–1966, at once an important political instrument, ...(展开全部)

***Listed in THE CHRONICLE OF HIGHER EDUCATION's Weekly Book List, April 4, 2011*** Interview with the author: http: //dgeneratefilms.com/critical-essays/cinematalk-a-conversation-with-professor-guo-juin-hong-on-taiwan-cinema-1949-and-documentaries/ A groundbreaking study of Taiwan cinema, this is the first English language book that covers its entire history. Hong revises how ...(展开全部)